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To accompany the scenes in which we follow Vito Corleone’s life story is a soundtrack, that perfectly compliments the aspirational venture we see Vito pursuing. This actually mirrors the experience of real immigrants who came to America during the early 20 th century by ship, whose first sight of the country would have been Lady Liberty.
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There is an iconic seen in which we see the ship arriving in America, with Vito as a young boy looking up at the statue of liberty, and towards the new life that awaits him. His story is the quintessential American dream. We see how Vito escapes Sicily as a refugee, arriving in New York penniless, and how he works his way up from the ghettos to the top of society. It may even be the best rags to riches story ever put on screen. The formerly mentioned story, that of Vito Corleone I can agree is a true masterpiece. We see that what made Michael and Vito the men they are is the same: they both lost the ones they loved most, they both killed as an act of vengeance, and both ended up on a path which led them to command the most powerful crime organisation in the world.
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For this unique take on how to continue the series, it deserves humongous praise. This clever format of the film allows it to act as both a prequel and sequel, by drawing parallels between the lives of the father and his son. The other story is that of Michael Corleone (Al Pacino) during the 1950s, as he attempts to expand the family business he inherited from his father, Vito, at the end of the previous instalment. The film shows the audiences two stories: Young Vito Corleone’s (Robert DeNiro) rise to power during the 1920s in New York, as he builds his empire. However, I found watching this slow-paced film a laborious task, which resulted in several desperate glances at the time on my watch. Perhaps it was the use of a ‘prequel’ format, in addition to an innovative style, that created its long-held popularity. I, for one, cannot understand how it went on to gain such high status. However, the two films are actually much more alike than just the overall plot construction, which is something many fans have been quick to pick up on after leaving the theater over the weekend.Will someone explain to me why this film is regarded as the greatest sequel of all time by many, and seen as the third greatest film ever by even more?
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And once you see the connection between the two, you won't be able to unsee it.ĭuring a recent interview with Vulture, Mamma Mia! Here We Go Again director Ol Parker revealed that it was actually producer Richard Curtis' daughter, Scarlett, who came up with the idea, suggesting that the story “should be Godfather II” - meaning that it should serve as a sequel that’s actually more of a prequel in nature. You see, it turns out that when you break it all down, the Mamma Mia sequel is basically The Godfather: Part II, as Vulture has so astutely pointed out.
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But what if you were to learn that the inspiration behind Mamma Mia! Here We Go Again comes from a much darker franchise - one that has the power to make you an offer you can't refuse.
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Sure, you're bound to reach for a box of tissues every so often, but at the end of it all, you're coming out of that movie feeling pretty darn good. Normally when you think of the Mamma Mia franchise (or just ABBA songs in general), the word that immediately comes to mind is: fun.